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  • Compact Disc (CD) + Digital Album

    Ten actually bespoke this time records of the record as the very-limited first-run, hand-written (text) and hand-written (disc). This time I'm actually charging shipping as I'm the one sending them, not Kunaki - £1 UK, £2.50 EU, £5 elsewhere (no clue how these estimates actually line up, but oh well). One copy max each.

    Includes unlimited streaming of SOS via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 5 days
    edition of 10  8 remaining

      £10 GBP or more 

     

  • Compact Disc (CD) + Digital Album

    For those of you who miss the art not being on the limited copies, or who missed out on a limited copy, the Kunaki disc is unlimited and ships directly past me but has nice printing ooo lookee. For use trying to get your own pictures that look like the one I took for the cover (although that would require you breaking it in half). Shipping unconditionally free as per the other Kunakis.

    Includes unlimited streaming of SOS via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days

      £10 GBP or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      £7 GBP  or more

     

  • Full Digital Discography

    Purchasable with gift card

      £14.38 GBP or more (50% OFF)

     

1.
Intro Save Our Souls Pre-verse Save Our Souls V1 Sprechgesang and morning toast; I boast no lovely day The townsfolk down all there below enjoy the start of May But I, the lonely sorcerer, to whom none shall obey I bid them all adieu, adieu, adieu to flesh of clay
2.
V1 The cold neon is a bitter hue As you, as always, night eschew And make your way towards the birdcage You devil Headaches posing as instructive noise Your playthings, obviously, little toys And off the dancefloor, by the bar It's settled Pre-Chorus The person next to you Is more interested in the racket on stage Which of course Is perfect And when they're looking away That is your chance And when they're looking away That is your chance That is your chance C1 Put the Tramadol, put it In there, put it in there Stop the Spreading of the Disease, it's waterborne now Bouncers Peering over your Shoulder, oh dear me No time To explain that you're Saving everyone, no The me- -dia is too Preoccupied with the news Morning Sporting highlights, so It's up to you today Put the Tramadol, put it In there, put it in there Stop the Spreading of the Disease, it's waterborne now Bouncers Peering over your Shoulder, oh dear me No time To explain that you're Saving everyone, no The me- -dia is too Preoccupied with the news Morning Sporting highlights, so It's up to you today
3.
Intro 1, 2, 3, 4 V1 Fifth floor Before you know The seventh And the ninth You've got yourself Above your head A date night Alright The man was a gent, he wooed you So effortlessly Oh, what a night to mingle with the Bourgeoisie Reprieve Oh No going back Your hair was fine before you left, But now it's in strands; Oh well The doorbell V2 Man in his gown He answers the door He lets you in and greets you And makes you feel poor The decor's immaculate The small-talk too Oh this Is life Ushered to the living Room under the starry sky By those starry Pre-Chorus Eyes Oh He takes you by the hand And to the piano He sits down and sings: C1 "You love me, I love me too We'll get on just fine Sign here in my autograph book On the dotted line I'm the charlatan up high Why, I like you so; Grab the wine and caviar You're in for a show"
4.
V1 Oh never, could ever, we could have could tried The star-shaped invaders have died The story is over, press circuits' been nixed And there's no more reason to be transfixed On stories of valiant victory On propagandistic flicks C1 Moon Dog bombs this Fall Moon Dog bombs this Fall Moon Dog bombs this Fall Moon Dog bombs this Fall Bridge "I must, from the bottom of my heart, Apologise to the shareholders." Look at how clumsily the cranefly's climbing that wall Almost as though it couldn't fly at all There's no more use for xenophobia in this house Oh look, the cranefly has been got by a mouse Governmental intervention lost, sur- -prisingly, we haven't turned to dust! V2 Generals relaxing in (their fixed abodes) Their fixed abodes, the (the) Film departments have Blown it Why would've they had any reason Any logical reason to Reason to, reason to Expect this: we're C2 Nearing the release date Oh, it's far too late Oh, will the critics mind? Oh, maybe they'll be kind The vacuum-sealed room Is coming all too soon; Ready out the pall 'cos Moon Dog bombs this Fall ('cos Moon Dog bombs this Fall) ('cos Moon Dog bombs this Fall) Outro ('cos Moon Dog bombs this Fall) ('cos Moon Dog bombs this Fall) ('cos Moon Dog bombs this Fall) ('cos Moon Dog bombs this Fall) ('cos Moon Dog bombs this Fall) ('cos Moon Dog bombs this Fall) ('cos Moon Dog bombs this Fall)
5.
[x]
6.
Intro What a time for the chamber to jam For the go-nowherer in Vietnam V1 Whipping up tornadoes Our saviour Gods in black-sheen coats As we pray with our various ephemera That they'll reach us before the boats (They never do) Pre-Chorus Corpses emblazoned with jet While the go-getter gets Fucked (Naturally) C1 The E. Lee Institute of Avoidance of Punjis I'm afraid applications are closed An unprecedented barrage of applications (The paroxysm, the paroxysm) Has forced human shield policy to be imposed; this is (The paroxysmal paroxysm) Worthless Bored wives agree While we are forcing the Ho Chi Minh ribcage agee C2 I wish not to gloat In these treacherous runnings, I I am I am your protest vote You are dogs set off your leash Pointed towards the fox All awhile your masters They provide only vox Well, I have instruments too, I wish to Call this whole thing off I call it off (Oh, yeah) I call it off (Yes! Why not?) I call it off (Now, for the next thing...) (They never do)
7.
V1 In the morning There is light Ra bestoweth Gift of sight As moonlit mystics' Spoken word Delays ascension Not seen but heard Foremost inferno Of our domain Forever, ever Oh, shall you reign Bridge Oh, burning titan won't you cry? With the insights of two sunspots Moon, it has no alibi With ticker-tape, oh de-ar me-e There's no-o time for no pa-ra-ade Whereas you t-touch down onto the promenade Jittery actions f-f-form f-foreign ai-d C1 Halcylioligopolis, Isabella A place to be Now, Halcylioligopolis is a better A better place to be Sing out in harmony now V2 Sunrise over Sigrids- -ville, oh my There is no place worse to Roll your die And in the plaguepits shall you Find your match Left the fire exit On the latch Will you 'scape from the radio- -active glow We bring forth the Horrorshow And minor chemical re- -actions rise Sigridsville is Compromised
8.
V1 Ong bataí, bataí, aye (Ong bataí, aye) And nobody knows who am I There is a mirror, there is a mirror, there is a screen And in your terror, terror, this is all you glean (And in your terror, this is all you glean V2 Ong bataí am I I hide in the rice and the rye Look in your mirror, look in your mirror, look in your screen Looking at me, -ing at you, pretending a grin (Looking at you, pretending a grin) Bridge In irreality, you've got to deny (In irreality) That scarecrows are voiceless (Scarecrows are voiceless) And Chariots of the Gods build up on fallacies (Chariots of Fire) C1 I am the creature that Spreads the written antidote To all the people who Overstep their bounds Sky-discs and fae maidens They do never exist on That all that Ong bataí Claims as spoils grounds C2 They never existed (Ong bataí) On the bitter- bitter- bitter- They never existed (You have thoughts that are) On the bitter mound (Out of line?) Ong bataí needs to make (Ong bataí) Sure you never exist now, no Dullaghan, cyclops, sa- (Rewrites the danger out) -tyr, centaur, hellhound (Creative minds) Ong bataí Assuring sanctity Of divine (Assuring sanctity) (Of divine) Ong bataí Freely removing (Freely remo-remov-) The rind (-in' the rind) V3 Life all safe is dull Like the blade in the prophesised hole Draw it and slay the beastie that says it has noone's hand Save all our tales from the revision of Ong bataí (Kill the revision of Ong bataí) V4 This is it, my friends Every story, well, it has its end (Parables and old wive tales, they shall live forever more) Pox on this poxie pixie, you shan't snuff our lore
9.
[x]
10.
Intro Jingo-à-go-go, 1, 2, 3! Jingo Fandango, what you be? Jingo, the QuANGO isn't free Jingo tornado SUV Jingo pachinko, losing your money V1 Give it up for today's speaker, Mr. Fandango; A real TEDx trailblazed excuse for bingo And knee-deep in alcohol, poor old Jingo's In a tangle: The emergency trust fund is gone And when you're sober, only then (My sweet little state-owned free-roam hen) You'll realise that you've been conned Bridge 1 Casino nights, and And Toledo days Forever hoping that the, That the hangover'll go away You keep on Saying that the collateral's gone Spitting out that same old song A feeling that you can't be long For this world of fools, not least yourself Up on that shelf Pre-Chorus Jingo Fandango wanted it all Jingo Fandango aimed for the 🜚 Jingo Fandango will only fall Jingo Fandango, what have you begun? Jingo, this is a Hellish rebuke Jingo, this is a Hellish rebuke Jingo, this is a Hellish rebuke Jingo, this is a Hellish rebuke Bridge 2 Stories of mismanagement of powers that be Stageplays of wildly misattributed invincibili- -tea on the ledge with a biscuit or two: "Never mind the crumbling, just look at that view!" Oh, Jingo Fandango
11.
Intro This is the recording to accompany Vignette 9: St. Hugh's Bones. Subvignette 1 The damn punch-spikers had congregated. The ones who enjoyed secondary school, the ones whose smarm outweighed their own heads; they had congregated, and this was cause for alarm. Subvignette 2 (excerpted from the manifesto:) "(...)and so, the imperative is the absurd, for anything less is a retreat into the deluge of the similar, a candid scream into the lively concert-hall. (Those) who deny this without explanation of their own should disown or adapt, and only those who deny with reasonable theses should be compared in any light, glowing or nocturne. (...)so it shall be said, the artistic boldness may catch the eye sooner, and the bold may be beautiful even lacking the intricacies elsewhere. The artiste may hoodwink, or may outrage, but they shall be known, unlike the finer print. The content may falter, but the name shall persist; the legends exist only for the gaud and artifice that have stood stagnant for the exploitation of the larvae of the exaggerator. (...) This, primarily, is the statement." -The flaws in the above piece are innumerable, but the aim(s) is(/are) humanely simple, and perhaps some value may be gleaned thus. Subvignette 3 To say the pile was ten bodies tall would belie the fact that it was a mound, so easily wide as it reached still-close to both the precarious ceiling fan and the sterile walls. Each body poised in interlocking contortion, tear-stained cheeks and the caking of a crimson fountain, eyes shriveled dry, skins ungodly pale. Each of these bodies was me. The fan above was contorting also, the blades slowly extending out into razorish tendrils as it so patiently waited to complete. The slow bend had already pierced a few, for which the phantom pain had become exquisitely terrible, and I had to turn my back on these errors. The mere fleeting thought that compensation would be enough penance for this was enough to crack a wry smile, which the representative surely mistook to be a break of sanity; lucky me the Org didn't confuse themselves in such mortal trifles, lest this be fatal. The crunch of the bones was quick, at least, when the fan was evidently powered, but my mind still visualised the slurry as if it hadn't coated the glass partition and had instead continued on to me. For the little it was worth, the glint in the representative's glasses seemed to affect me more than the whole display did him. Of course, countenance was the ploy, steadiness a material hill over which advantage could be clawed vicious from the six faces of Luck, but I had nothing to play for beside my dignity, and as even that is in short supply after snake eyes I didn't so much as even try to hide it. These men with rigged midnights, these men who could creak metal with their minds: these men could creak men. I signed the contract in my own blood. There was plenty enough. Subpart 4 Salutations to this crook, who has forg'd mountains in situ of wormhills with his words. Salutations to strict scholars of guqin-practition, for music is an artform most holy, a grounds for such conformity as is sought. And, most mindfully, congratulations to the man who put into law such audiovisual strangulations as this, such innovation-wringing guiding lights which shall not show again in this mortal gamut through what is soundly prior so untold. Submission - nay, subjugation is not without sound, and subversion justly then legitimises the undercutting of your meagre very point. The rules break more visibly after the stress gets too much. Subvignette 5 A convention centre, at night, without a convention. A lost man and his dog unleashed, a guard, and a gun. A play for three performers: one permanent role, two rotating. Subvignette 6 The following double-page spread left blank for signatures.
12.
V1 We are playing mindgames We are ceding to Noone I know We are playing mindgames We're receding into Laminar flow God gave me two eyes And a nose I sniff out that she isn't there! ...oh God- C1 So please don't complicate yourself (pyroclastic antiplastic tears of mastic light fantastic) Mental is the only worthy ground (feelings all pent Logan of Kent misrepresent establishment) Daunting though it may seem (Satapo's Arkhaiomelisidonophunikheratos) All you need are in these reams (We Are the Physics Club and Therefore Everything We Say is Fact)
13.
Intro Save our souls Save our souls Save our souls V1 Logan Posthumous The name They became The irony is drizzled on the Carpet There is nothing else left at All The cleaner is the one who Found them The doctor put them underneath The pall C1 The culprit, they're in this room Whom? I don't yet know Reverend, you're a man of peace But is it all for show? V2 No more the material Vessel overturned As they squabble down there Court is adjourned C2 Cleaner, you clearly went in there Butler, your bottles are stocked there ...it's a tragedy and there Is reason to believe the lawyer He has alibi with the lass, it's A tragedy Bridge Fading Out of view Rising into the air, Ba-da-ba-da raising It don't matter much more When you are ascending God! Why Let me an elavator! For I can't breathe in this atmosphere And at least let me some muzak The Murder of The Murd'rer of Logan Posthumous Heaven isn't There so why Rise I like my hubris? I'm not a Christian Though my mother Had faith in Mother Earth Particle Dissipation Hot air climbs, behold the Return to gas- -eous precious Precociousless form Outro The Murder of Logan Posthumous In the end it was Ra- -ther insidious The Murder of Logan Posthumous Only 'f you could Save us Save our Souls
14.
Prelude SOS 02:59
[x]
15.
SOS 27:52
Intro Save Our Souls Bridge Souls come free From the glass Lamented Overflow Gun not shot Nor hit, though It shatter Through window Quell the in- -surrection Staying in's Getting hard Staying out Is easy And I know And I know And I know What you don't What you don't What you don't And I know And I know What you don't Woah V1 What the Hell is going on in there? Angel Gabriel can hardly breathe We have got too many colours now Like kaleidoscopic macroscopic fleas Heaven's ledger, canonic rifle It has misfired, it isn't no more, no Reprieve Insurgency abounds They've freed the grounds Insurgency abounds They've freed the grounds V2 Harbingers here, gather your baskets Collect the missing and sacred vignettes Fret not soldiers, we have battle plans Smite down in Godfire wi'your gold arbalests This would be a PR nightmare If too many shards come to rest, oh Pre-Chorus We're repeating vows now We're repeating vows now We're repeating vows now We're repeating vows now We're repeating vows now We're repeating vows now C1 In a wilted garden In the Peaks of Now Ever close to Heaven Glinting first set down Faeries came, collected it Deciphered it faster than we First realised something was up Inamongst their lunch potpourri More would fall in skyscraper and throughout All the Golden Sea, whoa:O The crater of Sigridsville And in the potluck jamborees, a-whoa-whoa:O Mirror descent, providing For the Ong bataíi Even a little bit for you And a little bit for me The lore it was distributed Around the world for free Post-Chorus SOS SOS SOS SOS on ,erom on t'nsi ti ,derifsim sah tI elfir cinonac ,regdel s'nevaeH saelf cipocsorcam cipocsodielak ekiL won sruoloc ynam oot tog evah eW ehtaerb yldrah nac leirbaG legnA ?ereht ni no gniog si lleH eht tahW 1V Outro
16.
on ,erom on t'nsi ti ,derifsim sah tI elfir cinonac ,regdel s'nevaeH saelf cipocsorcam cipocsodielak ekiL won sruoloc ynam oot tog evah eW ehtaerb yldrah nac leirbaG legnA ?ereht ni no gniog si lleH eht tahW 1V

about

The shattering of a glass canon, refracting and honing the lorelight to burn new words into the blank pages of a storybook of silence.

Some wish to return to the silence, and some are not lucky enough to last long enough to wish. Some use the deadly mixture of perfect science and imperfect logic to attempt to tame the light for themselves, and they shall inevitably and unequivocally fail. Some, like the Ong bataíi, can slowly, deliberately, spin a good word sour; none can read the book verbatim. And only one is Baz Luhrmann.

Few scattered leaves of knowledge are known to exist, and fewer still have been caught, yet still some poor soul thought it fit to compile what little they found into this flawed and illegible tome. What few flecks of paint here can be endlessly laid down and still never resemble the great canvas, but it is human nature to try. And so, the task has unceremoniously been shifted over to you. Under the reasonable assumption you are a human, of course.

I don't expect you to tightrope-walk through this crevasse alone, but I'm not sure what other chances you have. The worlds are colliding and this is your keyhole.

Liner notes as provided by [The Label] Board of Public Relations & the Equitable Converse of Goods. [The Label] kindly remind the consumer that we reserve all rights to restrict, dispose, depose, deport, inflict sudden dénouement upon, archive, lose, copy, merchandise, privatise, publicise, adapt, have adapted, bootleg, digitise, or press upon a licorice-black platter the contents of this work of literary and auditory significance. By engaging with this work, a non-verbal contract is signed that allows [The Label] to ensure that any future breaches of the contract per the updating of contract terms and conditions shall be met with Tall Eyeless.

credits

released April 10, 2024

[The Label] #004

Written, produced, mixed and mastered solely by Logan Posthumous. Artwork, photography & graphic design also LpH.
LpH hand-programmed MIDI (1 to 5, 8, 11 to 13, 15), key-programmed MIDI (6, 9, 10, 15), played their 'LpH' classical acoustic guitar {RIP} (7, 15) and their grandparents' Clavinova (14).

Sincere thanks go as always to Clover "woah :O" Lanahan, the person to have heard this album the most unwittingly prerelease, to Chris Irregardless, the best internet parent one could hope for, to Jamie Bennett who has also put up with some of the tracks despite being from a less experimental background, Scart, wormy and Flo from the groupchat I cannot name, many more from the new Cardiacs server who I will inevitably forget someone if I needed to name the lot of them, Baz Luhrmann for haunting my every waking moment and to the unknown voice artist who I sampled at the end of SOS - their original appearance on a Peoplesound sampler was uncredited, so I am sadly unable to either.

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lllogan England, UK

[The Label] graciously presents...

Logan Posthumous, some call it "pop".

Timsvb., a unique mutation ever honing.

On YouTube: www.youtube.com/channel/UCX8_v4gxNsvJi7lxfsHD3rg
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